Rizlane

You often describe your works as “Tableaux-Photographiques”—a blend between photography and painting. How do you navigate the boundaries between these mediums in your practice?

I describe my works as “Tableaux-Photographiques” because they exist at the intersection of photography and painting, blending the fluidity and emotional depth of painting with the precision and immediacy of photography.In my practice, I navigate these boundaries by focusing on the materiality and presence of the final piece—each photograph is treated like a unique painting, a one-of-a-kind artwork rather than a reproducible image.Through techniques like long exposure, draped fabrics, and layered post-production, I create compositions that evoke movement, abstraction, and depth—qualities often associated with painting.Ultimately, my goal is to offer viewers a space where the gaze can wander endlessly, engaging with the work as if it were a living, breathing painting captured in time.

Rizlane | Abdessamad The Archetype Of Emotion | 2025

Your works radiate a strong connection to the earth and spiritual realms. Can you share how your environment—or time spent in nature—influences your visual language?

Time spent in nature is undeniably vital to my artistic practice—it reconnects me to the rhythms and energies of the earth. Yet, at the very core of my work lies a more intimate, spiritual connection: the profound link between the earth and the feminine body, especially through the uterus and the menstrual cycles, which resonate deeply with the sacral chakra. This connection is a powerful symbol of grounding and creative birth. I see the creative cycle as something that emanates from every woman’s body, a sacred flow that nourishes and inspires creation. The uterus is not only a physical organ but also an emblem of life, transformation, and rootedness in the natural world. When we menstruate, we hold the power to create, but also to release—a monthly death of the past that allows for renewal. Each cycle offers us the opportunity to embody different archetypes: the maiden, the priestess, the witch, the mother. By consciously channeling these energies, we remain connected to our source, no matter our mood or energy level. These archetypes become guides, allowing us to move through the creative process with intention, mystery, and strength. They deepen the ritual of making, and in doing so, transform each artwork into a sacred expression of feminine power and cyclical rebirth. In this way, my connection to the Earth is not only physical—but rooted in my deepest integrity. It is a return to the self, to the sacred within.

Rizlane | Abdessamad La Gardienne | 2025

The body in your work becomes both a symbol and a vessel. How do you approach working with your subjects to transform the session into a sacred, collaborative act?

For me, every session is a ritual—an act of transmutation. I never approach a shoot as a simple photoshoot, but rather as a sacred space we enter together. Before the camera even comes out, I invite my subjects—my muses—to write a letter. A letter to let go of something that no longer serves them, or to call in a new archetype they wish to embody. We burn this letter together, as a symbolic offering, a threshold into transformation.Then, through intuitive movement and guided breath, we shift into the body. I often play immersive music and burn incense to create a sensory cocoon. There’s no pressure to perform—just a space to be, to explore, to shed layers. The body becomes a vessel for something greater: memory, energy, spirit.This process builds deep trust, intimacy, and often brings emotion to the surface. It’s in those honest moments that something magical happens—the subject transforms, and the camera becomes a witness to this sacred metamorphosis. The resulting image is not just a portrait; it’s a relic of a shared experience, a visual echo of the soul in motion.

You mentioned your intention to create a new artistic movement where photography is treated as rare and precious. What challenges have you faced in establishing this vision?

One of the greatest challenges, especially as an emerging artist, is undoubtedly the financial aspect. When your vision embraces rarity, excellence, and preciousness, it requires immense investment—not just material, but emotional and spiritual. Creating 1/1 pieces signed with natural diamonds, using high-end materials, and committing to craftsmanship worthy of fine art collectors demands both resources and deep faith in oneself. The real challenge is to trust the vision fully—to protect it, respect it, and honor it even when it feels fragile or misunderstood. You must invest in yourself first, in your belief that your art is sacred, worthy, and powerful. And once that inner foundation is strong, the outer journey unfolds with time, labor, and grace.There will always be moments of doubt, especially when navigating a world that often values quantity over quality. But I believe there is always a collector-angel meant for every artwork born from truth. It’s a matter of speaking to the right people, staying rooted in authenticity, and trusting divine timing. When the work is aligned with soul and vision, it will reach the hearts it’s destined for.

Rizlane | Abdessamad L’ÉTat D’ÊTre | 2024

There’s a consistent sense of elevation and transcendence in your imagery. Do you consider your art a form of healing—for yourself, for the subject, or for the viewer?

Absolutely. My art is a form of transmutation that leads to healing—for myself, for the subject, for the collector, and even for the viewer. I deeply believe in the power of art to restore, to soothe, to awaken. Through movement, presence, and intention, I create spaces—both physical and emotional—where healing can begin.Each photograph is born from a ritual: a letter burned, a moment of breath, intuitive movement guided by music and emotion. These acts are not random; they are invitations to release and to receive. There is always a frequency of healing embedded in my process, because everything is done with care and sacred intention.The drapery in my work also holds symbolic weight. It is like a second skin—a metaphor for transformation, much like a snake shedding what no longer serves it. It is also reminiscent of comfort, like the soft sheets we retreat to when we need rest. Draped fabrics become both armor and balm—offering protection, softness, and a sense of becoming. In this way, my art mirrors the regenerative power of the body and spirit. It is both a visual and energetic portal for healing—one that holds space for vulnerability, strength, and quiet transcendence.

The visual vocabulary of your work—blur, veils, pearls, motion—feels like a language of mystery. How important is ambiguity and interpretation in your storytelling?

Ambiguity and interpretation are at the heart of my artistic vision—they are what keep the work alive. I believe that a piece of art must remain open, fertile, mysterious, so that the viewer can return to it over time and continue to see and feel something new. As we evolve through our own life journeys, the artwork reflects different aspects of our inner world, even though its physical form remains unchanged.Elements like blur, veils, pearls, and motion are not decorative—they are portals. They allow us to see what is normally invisible, to feel rather than to identify. They offer a kind of sensory breath, something alive and intangible.This open-ended visual language invites us to pause and wander—something we rarely allow ourselves in our daily lives, often dominated by overstimulation, screens, and constant noise. Through this poetic ambiguity, I seek to create a space of slow contemplation, where mystery becomes a form of presence, and presence becomes a form of truth.

Rizlane | Abdessamad L’Ange D’Or I | 2025

What role does sound or silence play during your photographic rituals?

This is such a powerful question—because sound, or the absence of it, is essential to my process. Often, music plays a vital role in guiding the emotional atmosphere of the session. I gravitate toward immersive soundscapes, ancestral rhythms, or feminine chants that allow both myself and my muse to enter a trance-like state of presence. The body responds naturally, intuitively, to sound—it becomes a language beyond words.But there are also moments when the energy between myself and the muse—or the archetype we are embodying—is so intense, so charged, that silence becomes necessary. In these moments, we listen to the true music: the breath. The rhythm of being. Silence allows us to focus inward, to anchor ourselves, and to hear what cannot be heard with the ears.The sound environment is never secondary—it’s the sacred clothing of the space. Whether filled with melody or wrapped in stillness, it is always chosen with intention. It shapes the ritual, cradles the vulnerability, and sets the frequency for the birth of the artwork.