Project Statement
My primary photographic practice is rooted in landscape and wildlife photography. I am interested in space, structure, rhythm, and the quiet dialogue between light and form. Landscapes allow me to work slowly, observing how time, weather, and geography shape the visual and emotional character of a place.
Street photography is a natural extension of this approach. While the subject changes from terrain to people, my way of seeing remains the same. I observe public space as a living landscape — one shaped not by geology, but by human presence, movement, and chance interactions.
In my street work, I am drawn to moments where everyday life briefly becomes expressive: gestures, play, tension, humor, and fleeting connections between people and their surroundings. These moments are unposed and unpredictable, yet they echo the same visual principles that guide my landscape photography — balance, timing, and the relationship between subject and environment.
Working in black and white allows me to unify these two genres, emphasizing form, light, and emotional clarity over descriptive detail. Whether photographing open land or a crowded street, my goal is the same: to reveal a moment of quiet meaning within the flow of time.
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