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Vivian Kalomiri

Vivian Kalomiri was born in Athens in 1977 and she is professional photographer. She has a lifelong passion for arts.She pursued her artistic education at the Fine Arts Academy of Rome in the scenography department and then continued her studies at the Leica Academy of Athens, where she completed her photography training in 2000. Since then, she has been working as a professional photographer in various fields.She also creates and exhibits art photography in different venues. She experiments with different techniques and styles, and she enjoys shooting people and documentary subjects. Her images aim to provoke emotions and challenge perceptions, as well as to present stories of her personal life. She is always looking for new ways to express her vision and creativity, mainly through film photography.
 
 

Project Statement

“Thresholds” By Vivian Kalomiri
In this series, I explore the quiet tension between presence and absence, movement and stillness, intimacy and isolation. Each image is a fragment of urban and coastal life, yet together they form a poetic meditation on the human condition as seen through fleeting moments of solitude, connection, and reflection.
Urban Echoes From shuttered storefronts to barbed-wire fences, the city becomes a stage for silent narratives. A lone figure on a bench beneath a “Do Not Enter” sign evokes themes of restriction and resilience. These urban vignettes are not just backdrops—they are emotional landscapes, echoing the internal states of their inhabitants.
Play and Pause Children crouch behind planters, peek from corners, and animate the stillness with curiosity. Their presence punctuates the adult world with spontaneity, reminding us of the joy and vulnerability that coexist in public spaces.
Tenderness in Transit A woman cradling a child on a park bench becomes a symbol of care amid transience. The objects beside her—a bottle of water, a pack of cigarettes—speak to the ordinariness of survival, the poetry of the everyday.
Coastal Contemplation The beach scenes offer a counterpoint: open horizons, soft light, and the vastness of sea. A solitary figure gazing at a sailboat, a volleyball resting in the sand—these are moments suspended in time, where the world seems to breathe more slowly.
Together, these photographs form a lyrical sequence of thresholds—between public and private, youth and age, confinement and freedom. They invite viewers to pause, to feel, and to read between the lines of the visible.

 

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